There is a particular kind of attention that begins with looking down and ends with looking up — or the reverse, depending on where you start.

These four collections were not made in sequence. They were made in parallel, each one pulling from a different layer of the same question: how do you hold something invisible inside a material that is entirely visible?

Four scales of depth. The universe. The sea. The self. The earth. All of it poured in resin, sealed in gold, rendered in the only materials that behave like light at an interface.